When asked to write this article, I have largely gathered
from my own experiences as a psychic artist, and from talking
to other people working in the same field as myself. One thing
that becomes apparent is the feelings of wanting to draw,
the creative expression needing to unfold before your very
eyes. The impulse to do so is at times quite intense and does
not adequately subside until the work has been fully completed.
Psychic art comes in a variety of forms most notably that
of portrait drawings of family or guiding influences. Added
to this is the concept of an artistic diagram of the human
aura, a phrase coined by the renowned psychic artist Harold
Sharp, and more commonly known as the auragraph. A little
known form of psychic art is that of precognitive art. A good
example of this being Leonardo Da Vinci, who in the 1400’s
sketched diving apparatus as well as arguably one of his most
famous sketches, that of what we know today as the helicopter.
It is a fair statement to suggest that all psychic artists
have a high degree of sensitivity to influences imparted from
what we as Spiritualists term the spirit world. It is therefore
due to this degree of sensitivity to the often subtle vibrations
imparted from the spirit world that allows the psychic artist
to unfold a piece of artwork seemingly from nowhere. I make
this statement in part due to the fact that most psychic artists
are not visually aware of what it is they are influenced to
draw, This is more remarkable when you take into account that
a vast majority of psychic artists have had no formal art
training and yet are capable through the subtle variances
of energy transference to produce a detailed picture of a
person that not only can they not see, but who have themselves
taken their transition to the spirit world.
So how does it work? Plainly speaking, the psychic artist
enters into an altered state of awareness as the guiding influence
working with them is allowed to impinge their own energies
with those of their medium and thus obtain a greater degree
of influence in order to better guide the hand and arm. In
this way it is not necessary to be able to see what is being
drawn, for to do so would undoubtedly colour the mind of the
medium, the resulting drawing would not therefore be an adequate
representation of the person being drawn. Like all forms of
mediumship, psychic art takes time to establish, for in essence
it is not about the drawing, it is more to do with the depth
of connection between medium and guide. It is through the
depth of connection achieved that a higher degree of accuracy
can be imparted through into the drawing.
Psychic art, particularly the auragraph can also bring forth
a vibrancy unique to the person the drawing is for, hence
the drawing evidences a different style each time, soft interlacing
colours which blend subtly into each other or jagged deep
carved chasms of colour colliding with a crescendo of noise.
It is not only the drawing which is conveyed whilst in this
altered state of awareness. Information pertaining to the
drawing is also communicated by way of establishing the identity
of the person being drawn or to more fully comprehend the
artwork depicted.
http://www.aura-artz.co.uk/
Article written by Ian
Doherty Ian's own website can be found at http://www.ian-doherty.co.uk/
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